15 Artists Explore the Potentiality of Fabric and Fiber in ‘Textile Art Redefined’


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15 Artists Explore the Potentiality of Fabric and Fiber in ‘Textile Art Redefined’

Until just the past few decades, textiles were generally created with only practical applications in mind. Although fiber and cloth in its myriad forms had been produced for millennia around the globe, fabrics were woven for either domestic or industrial use, and crafts such as knitting, weaving, basket- and net-making, and more were considered purely functional. Think clothing or decor. Even ornate medieval tapestries were conceived as utilitarian objects, used in stone buildings like churches and large homes to soften sounds and insulate against the cold.

Within the canon of Western art history, in particular, the hierarchy of fine art has long been quite definite: painting and sculpture were chief among mediums. Anything else fell under categories of preparatory processes, craft, or ornament. But in the mid-20th century, that delineation began to shift. Anni Albers, who taught at the Bauhaus and later Black Mountain College, was one of the first artists to approach weaving as both a craft and an art. She laid the foundations for later artists like Sheila Hicks, Magdalena Abakanowicz, Cecelia Vicuña, Faith Ringgold, and many more. Today, artists like Bisa Butler, Do Ho Suh, Nick Cave, and countless others continue to challenge boundaries and redefine the role of textiles in art.

a stitched textile work by Chiachio & Giannone depicting numerous patterns and two inset portraits of two bearded men in profile
Chiachio & Giannone. “Conversación sobre arte” (2022), hand-embroidered quilt with cotton threads on toile de Jouy, 164 x 200 centimeters. Photo by Nacho Iasparra. Courtesy of Bendana | Pinel Art Contemporain, Paris

A new exhibition at Saatchi Gallery takes a fresh look at how fiber has become a celebrated facet of contemporary art. Textile Art Redefined is curated by Helen Adams, founder of the platform Textile Curator. Vibrant colors and patterns infuse the show with a sense of joy and optimism, while the selection highlights the broad range of approaches to different materials, such as Ian Berry’s large-scale installation titled “Secret Garden,” which mimics Delft tiles and yet is made entirely of recycled denim. And Kenny Nguyen’s large-scale wall piece, made of thousands of colorful strips of silk, appears to undulate and swirl.

For some of these artists, like Argentinian duo Chiachio & Giannone and knit designer Kaffe Fassett—who continues to work alongside his long-term partner, designer Brandon Mably—the union of art and craft lends itself to a entire lifestyle built around fiber as a form of expression, brimming with color and patterns. Colossal readers may also recognize work by Anne von Freyburg, Signe Emdal, Deniz Kurdak, and Benjamin Shine, in addition to Caroline Burgess, Sara Impey, Simone Pheulpin, Jakkai Siributr, Magda Sayeg, and Jenni Dutton. “In an increasingly digital world, creating by hand has taken on a new appreciation,” says a statement.

Textile Art Redefined continues through May 10 in London. Adams is also the author of the new book Textile Fine Art, published by Laurence King.

a colorful, abstract textile work by Anne von Freyburg in a gallery
Anne von Freyburg, “In Flight Mode (After Fragonard, The Swing)” (2026), textile wall installation painting: acrylic ink, synthetic fabrics, PVC fabric, tapestry-fabric, sequin fabrics, hand-embroidery, polyester wadding and hand-dyed tassel fringes on canvas, 350 x 260 centimeters. Courtesy of K Contemporary Denver + Santa Fe. Photo by Pasquale Viglione
an installation view of the group exhibition 'Textile Art Redefined,' depicting numerous different wall works and sculptures made from various kinds of colorful, textile materials
Installation view of ‘Textile Art Redefined,’ Saatchi Gallery, London. Photo by Pasquale Viglione
a large-scale installation by Ian Berry in blue-and-white with decorative tile features
Ian Berry, “The Secret Garden” (2026), denim on denim, dimensions variable. Photo by Debbie Bragg
a detail of a large-scale installation by Ian Berry in blue-and-white with decorative tile features
Ian Berry, “The Secret Garden” (detail). Photo by Debbie Bragg
Kenny Nguyen, “Echo Series No. 6” (2025), hand-cut silk fabric, acrylic paint, canvas, mounted on wall, 289.56 x 332.74 x 12.70 centimeters
a colorful knitted blanket by Kaffe Fassett with geometric patterns
Kaffe Fassett, “Geometric Sampler” (2019), cotton and wool, 150 x 188 centimeters. Photo by Brandon Mably
an installation view of the group exhibition 'Textile Art Redefined,' depicting numerous different wall works and sculptures made from various kinds of colorful, textile materials
Installation view of ‘Textile Art Redefined,’ Saatchi Gallery, London. Photo by Pasquale Viglione
a textile artwork depicting a colorfully patterned machine gun over a series of equally colorfully patterned spheres
Top to bottom: Magda Sayeg, “The Machine Gun” (2017), replica of Bushmaster XM15-E2S: acrylic mix triple worsted yarn, vintage children’s sweaters, 200 x 68 centimeters. Magda Sayeg, “Yoga Balls” (2025), acrylic yarn and inflated PVC ball, approx. 55 x 75 centimeters. Photo by Pasquale Viglione
an installation view of the group exhibition 'Textile Art Redefined,' depicting numerous different wall works and sculptures made from various kinds of colorful, textile materials
Signe Emdal, “Dreams of Gaia” (2024), Italian mohair, Shetland wool, Swedish cotton warp, gold-plated artist’s signature, 195 x 60 x 18 centimeters. Created with funding support from the Danish Beckett Foundation. Installation view of ‘Textile Art Redefined,’ Saatchi Gallery, London. Photo by Pasquale Viglione

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