A Menagerie of Animal Sculptures by 50+ Artists Populate ‘The Ark’


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A Menagerie of Animal Sculptures by 50+ Artists Populate ‘The Ark’

The term “ark” invariably conjures images of the monumental boat onto which pairs of animals were stewarded prior to a cataclysmic, biblical flood. It’s a reference that feels apt amid the climate crisis and our planet’s rising sea levels, although in this case, the melting ice caps and creeping tides are down to us. The large-scale exhibition titled The Ark at Powerhouse Arts asks, will we care for the future of our planet the way we care for the animals we love?

The presentation draws directly on the myth if The Deluge from Genesis, “an event of epic scale that becomes a metaphor for the present moment, where environmental and social upheaval converge,” says a statement. “Throughout the exhibition—experienced in the round, in close proximity, and at monumental scale—the animals function as both protagonists and interlocutors.”

an exhibition view of the large group exhibition 'The Ark' featuring animal sculptures by more than 50 artists
Installation view of ‘The Ark’ at Powerhouse Arts, Summer 2026. Photo by Xavier Petromelis

Colossal readers may recognize the work of Kiki Smith, Nichola Theakston, Anthony Theakston, Wangechi Mutu, Jeffrey Gibson, and more. In all, more than 50 artists are represented through 90 sculptures and installations. The pieces run the gamut of materials, from wood and stone carvings to cast bronze and resin. A group of pigeons by Maurizio Cattelan perch on structural beams and both Nichola and Anthony Theakstons’ bronzes speak to the sacredness of animals, while John O’Reilly’s rendition of an emaciated female dog crouching over her pup plucks a heart-rending chord. Throughout the exhibition, emotional evocations span joy, amazement, humor, trepidation, and grief.

Curated by artist Eric Fischl, the show was first staged at The Church in Sag Harbor, a historical whaling town. Now in Brooklyn, the The Ark lands in the former warehouse space of Powerhouse Arts, a nonprofit dedicated to fabrication and production, on the Gowanus Canal. The building is known as the “Batcave” and sits adjacent to what’s designated by the Environmental Protection Agency as a Superfund site, a heavily polluted area in need of concerted cleanup efforts.

The physical location and its surroundings present a post-industrial background to a show about nature, the environment, and material exploration. Visitors are invited to walk through a room filled with animals from floor to ceiling, invoking elements of surprise and wonder. Powerhouse Arts adds, “Rather than framing environmental themes through notions of crisis and urgency alone, the exhibition centers on relationships and intimate encounters.”

The Ark continues through August 30 in Brooklyn. Find more on the organization’s Instagram.

a resin sculpture of an emaciated female dog with her tail between her legs and her small, dark puppy lying on the ground below her
John O’Reilly, “Intertwined” (2012), white: resin graphite; black: resin porcelain and bone powder, 24 x 21 1/2 x 31 1/2 inches (white dog), 5 x 21 1/4 x 16 1/4 inches (black dog). Photo by Gary Mamay, courtesy of Eric Fischl and April Gornik
an installation view of a bronze sculpture of a horse that looks to be made of driftwood
Deborah Butterfield. Installation view of ‘The Ark’ at Powerhouse Arts, Summer 2026. Photo by Xavier Petromelis
a carving in black slate of a bird and a beetle
William Kent, “Bittem and Beetle” (1968), black Italian slate, 10 5/8 x 17 1/2 x 1/4 inches. Photo by Cloe Poisson, courtesy of the William Kent Art Foundation
a beaded bird sculpture by Jeffrey Gibson in 'The Ark' exhibition
Jeffrey Gibson. Installation view of ‘The Ark’ at Powerhouse Arts, Summer 2026. Photo by Xavier Petromelis
an expressive bronze sculpture of a fox's head
Jaune Quick-to-See Smith, “Urban Trickster” (2021), cast bronze, 28 x 20 1/2 x 24 inches. Image courtesy of the estate of Jaune Quick-to-See Smith and Garth Greenan
a feathered, serpentine sculpture by Kate MccGwire in 'The Ark' exhibition
Kate MccGwire. Installation view of ‘The Ark’ at Powerhouse Arts, Summer 2026. Photo by Xavier Petromelis
a bronze sculpture of a cow with a white body and brown head
Nichola Theakston, “Sacred Cow” (2025), bronze, edition of 12, 16.5 x 26 x 8 inches. Courtesy of the artist
a bronze sculpture of a minimalistic owl
Anthony Theakston, “Spirit Owl” (2025), bronze, 16 1/2 x 10 x 2 1/2 inches. Courtesy of the artist

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